Showing posts with label paints.. Show all posts
Showing posts with label paints.. Show all posts

Wednesday, 30 July 2008

Brushes On Watercolour - Wet On Wet


I had an interesting question the other day about watercolour paper and whether it is used wet or dry. Well, it is used both ways depending on what you are painting and the effect you want to make.

If you are going to paint a detailed painting, which needs to be accurate to scale (like mine) you will have to work on dry paper. The reason for this is that you will need to make your pencil drawing on your paper and as we all know - you can't draw with an ordinary lead pencil onto wet paper. A long time ago I did try drawing on my paper before soaking and stretching it. Unfortunately I discovered that when you do this, you also stretch your drawing and even when the paper has completely dried, the drawing is not absolutely as it was when you drew it. So for my purposes where accuracy is vital, it was useless. If however, 100% accuracy to scale is not needed, then you can certainly do this.

You may wonder why anyone would want to draw first, soak later. The reason for this, is that when you have a sheet of wet paper on your board (not completely, dripping wet but still soaked through) you can lay your paints onto the paper and get some wonderful effects. You will need to practice to see what I mean, but essentially the paint will mix in with the water held in the paper and spread out into wonderful shapes and patterns. When you then add another colour to the mix - oh lovely! Do be aware though, that where the paper is holding a lot of water, you will need to put reasonably strong colours on your brush.

If you need to let your paper dry so that you can put on an accurate drawing, you can however, wet areas of your paper with clean water (make sure it is clean!!) and then drop your colours into that area. No doubt you will find some frustrations. Quite often the paint will collect to the edges of its spread and when dry, creates and thickish hard line which most often you won't want. If you try and lift some of the paint when you see this happening, you will find to your dismay that quite often you get a 'floral' effect and most of the time you won't want this, although in a looser painting, it can be utilized to become a useful part of the design.

The picture at the top shows a small part from the background of one of my paintings (ignore the piece of dog neck) which shows granulation. Granulation occurs when some paints are mixed together - I usually make mine happen by adding ultramarine to my mix. I love the grainy effect it gives.

So to summarise - your paper can be worked dry, damp or wet. It will depend on your requirements and may well differ from painting to painting. Just keep going and don't give up if your efforts appear amateurish to begin with. Enjoy what you're doing. Don't make it an effort but look forward to it as an enjoyable discovery. Apart from learning to draw and paint, you will also begin to see differently. Yes, you will. Where once you would just look at an object, now you will start to really see it. You will notice it's shape, colour, the way the light falls on it. Yes, life will become more fun!

Talking of fun, did anyone notice the heading of this piece? If you take the initials it reads BOW-WOW - perfect for a dog obsessed person like me!

Tuesday, 17 June 2008

Paints


Did you enjoy your visit to the art shop? Have you had a go at sticking your paper to your board? Perhaps you've even attempted splashing some paint onto the paper - I hope so!
Talking about paints - which type should you get? Watercolour is available either in pans or tubes. I used to prefer the pans as I felt the paint was a little more 'pure' without the running agent which is in the tubes. However, as I gradually worked my way through the pans which came with my ready filled watercolour box, I started to replace the colours with tube paint. I squeeze a small amount into the empty(ish) pans as I need it and find I am happy with this. The brand I use is Winsor & Newton - for no other reason really than that my art shop has a large selection of their paints! I would suggest you buy the paints which are easily available to you - no point in making life harder than it is!

Winsor & Newton has an Artist range and a cheaper range called Cotman. Both of these are good quality paints and I know that there are some professional artists who are extremely happy with Cotman paints. I have a couple of tubes myself, but most of mine are the Artist range as I find the colours cleaner.
In traditional watercolour, white and black paint is not used. If you want white in a painting you have to reserve the space i.e. don't paint on it! or scratch it off with a blade. You can use masking fluid to help keep the paper clear of the paint - it's a rubbery fluid which dries where you paint it, and is rubbed off when the paint above is dry. When rubbed off, it leaves the untouched paper underneath. I have tried on several occasions to use masking fluid and in fact only threw away a dried up bottle the other day - which I think demonstrates quite clearly how I got on with it - or rather didn't! I struggled for several years not using white or black, not liking to break the watercolour 'rules'. Then one day, I just thought to myself that my sort of work was not the common application of watercolour paint with gorgeous washes and light brushwork. My paintings are built up of many layers - again a 'no no' in traditional circles, and I do now use both white and black! I must admit however, that white, in my experience, has to be used very carefully indeed if the painting is not to become chalky and dull. Despite the many layers of paint in my pictures, I still like to see the paper glow through and it can't glow through a thick layer of opaque white! What colours to buy? Well, this really does depend on the subjects you like to paint. My own most often used colours are Ultramarine Blue, Burnt Sienna, Raw Sienna, Raw Umber, Lamp Black, Mars Black (I love the way this granulates in background washes), Winsor lemon, Alizarin Crimson, and Cadmium Red. I have several other colours but the ones listed are the ones I tend to use most often.

Next time, we'll talk more about brushes and erasing pencil drawing on watercolour paper (don't!!)
I remember at the beginning of this blog I said I would post a Tervueren I was painting - well, here it is finally!

Have fun painting!